ARIA Sounds London Symphonic Strings Double Basses KONTAKT

ARIA Sounds London Symphonic Strings Double Basses KONTAKT | 3.7 Gb
And finally... the double basses, once again with four different true legato patches for full compositional variety. Legato patches allow you to turn legato off if you wish so that you can play polyphonically/chords, and the double basses also come with some percussive string fx, glisses, tremolo glissandos, and other experimental sounds too.
This is a must own, as either your perfect go-to string library for any composing needs, or as a considerable addition to your existing string palette. This library was recorded 24 bit at 48000Khz with four mic positions (Close, Main, Rigs and Room) in a wonderful sounding hall.
Boasting a huge range of articulations and techniques, and a fully revamped realistic legato script, with four fantastic mic positions, Close, Main (conductor position), Rigs, and Room. This sample library can be played in Kontakt 4 and above.
Articulations:
Sustained long notes, as well as crossfadable dynamic layers beginning with a beautiful sounding soft pianissimo, up to a full and powerful fortissimo.
Spiccato - Short notes, for all your essential driving string motifs
Sordino sustains legato, with crossfadable dynamic layers and true legato intervals
Sul Ponticello Legato - The raspy and hollow sound when players bow closer to the bridge, bringing less of the fundamental note out, and more of the naturally occurring harmonics. This patch also has crossfadable dynamic layers and true legato
Sul Tasto Legato - The smooth sound created with players playing onto the fingerboard with the bow, also with true legato intervals.
Martele - Intense, slightly longer detached notes using more of the bow.
Pizzicato and Bartok pizz - Players pluck the strings, as well as "Bartok pizz" where the pluck is hard enough to cause the string to snap back against the fingerboard.
Col Legno - striking the strings with the back, wooden side of the bow.
Tremolo - Normal fast unmeasured tremolo.
SFX - Variety of String sfx and experimental techniques + sounds
伦敦交响弦乐低音提琴的咏叹调的声音| Kontakt 3.7 GB
最后…倍低音大提琴，再次与四个不同的真实连奏补丁全成分的各种。连奏补丁允许你把连奏，如果你愿意，你可以玩复调的/和弦，和双低音也跟一些冲击字符串FX，glisses，颤音glissandos，和其他实验听起来太。
这是一个必须自己的，因为无论是你完美的去字符串库的任何写作需要，或作为一个相当大的除了你现有的字符串调色板。这个图书馆是记录24位在四MIC的位置48000khz（接近，主要，钻机和房间）在一个美妙动听的大厅。
拥有一个大范围的关节和技巧，和一个完全新的现实时的脚本，四个神奇的麦克风位置，关闭，主（导体的位置），平台，和房间。这个样本库可以在Kontakt 4以上起。
关节：
持续的长音，以及crossfadable动态层开始，一个美丽动听的软弱，满有力的强音。
断续的短音符，为你所有的重要驱动串图案
弱音器是连奏，与crossfadable动态层和真正的连奏的间隔
靠近琴马连奏的刺耳的、空洞的声音当玩家弓接近桥梁，带来更少的基调，而更多的自然产生的谐波。这个补丁也crossfadable动态层和真正的连奏
近指板奏连音的光滑的声音创造了玩家玩到琴与弓，也与真正的连奏的间隔。
Martele激烈，稍长的超然的笔记用更多的弓。
拨奏和巴托克拨弦者拨弦，以及“巴托克拨弦“勇气是难以造成串快速反击指板。
Col木与反击的弦，弓的木方。
正常的快速测量的颤音颤音。
自解压字符串SFX和实验技术+声音的变化