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音效下载Audio Imperia – Klavier – Red Planet Piano KONTAKT
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  • 发布时间:2016-5-2 13:03
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Audio Imperia - Klavier - Red Planet Piano KONTAKT | 9.59 Gb
AUDIO IMPERIA's “Klavier" is the first instrument in our new “Private Stock Instruments” series. Originally intended as a private sample library for a group of trailer composers, the two instruments in this series combine the very best of the worlds of raw/organic recordings and post-production/sound design. The goal throughout the whole project was to start with the user experience and the raw sound and to work our way backwards to a final product that is both versatile and instantly inspiring.
The “Red Planet Piano” was heavily inspired by the movie adaptation of Andy Weir’s “The Martian”. Harry Gregson-Williams' score is absolutely amazing and inspired us to create an “outer space” version of the Klavier. The Red Planet Piano shares the same organic sample pool used for the Gravitas Piano. But to get that particular “outer space” electric guitar sound, we created a number of complex guitar sounds. They are designed to match that lush and wide sound that you need to evoke that feeling of depth and space. This, combined with the organic piano, creates a truly unique sound. We used a blend of the neck (humbucker) and the split-coil (single coil) position of the very limited Ibanez JPM90HAM. A perfect blend of the single coil twang and directness and the warmth and depth of the neck humbucker. The initial recordings were done direct and we then reamped the recordings through various amp and fx signal chains.
音频因佩里亚-钢琴-红色星球|钢琴Kontakt 9.59 GB
音频因佩里亚的“钢琴”是我们新的“私人股票工具”系列的第一工具。这两种乐器在这一系列中的一个组合的最优秀的世界的原始/有机录音和后期制作/声音设计,原本打算作为一个私人样本库。整个项目的目标是从用户体验和原始声音开始,并以我们的方式工作,以一个最终的产品,是多功能的,并立即鼓舞人心。
“红色星球钢琴”的灵感来自于电影改编的安迪威尔的“火星人”。格雷格森威廉姆斯的成绩是绝对惊人的,启发我们创造一个“外层空间”的钢琴版。这颗红色行星的钢琴同有机样品池用于庄重的钢琴。但要得到那个特别的“外层空间”电吉他的声音,我们创造了一些复杂的吉他声音。它们被设计成能够与你所需要的那一片繁茂且宽广的声音相匹配,以唤起人们的深度和空间感。这一点,结合有机钢琴,创造一个真正独特的声音。我们使用一个颈混合(拾音器)和分裂线圈(单线圈)的非常有限的依斑娜jpm90ham位置。一个单线圈的鼻音和直接和脖子的拾音器的深度和温暖的完美融合。最初的录音完成,直接和我们reamped录音通过各种放大器和外汇信号链。
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