Anatomy Workshop vol.1-5 with Charles Hu
5xDVDRip | English | MOV | 1280 x 720 | AVC ~4090 kbps | 24 fps
AAC | 60.6 Kbps | 22.05 KHz | 1 channel | ~14 hours | 27.2 GB
Genre: eLearning Video / Drawing, Painting
VOL.1 In this first lecture of a series focusing on human anatomy as it relates to figurative art, figure painter and instructor Charles Hu discusses key skeletal and muscular landmarks along with methods for maintaining the correct proportional relationships between the various structures of the human body. Throughout the lecture, Charles refers to skeletal reference to illustrate how skeletal elements not only connect, but more importantly, how these structures move in relation to one another, providing a clear roadmap for maintaining correct proportional relationships in your figure drawings.
Charles begins with an initial "mechanical" representation of the human form from the front view. He first discusses the basic proportions and structures of the human head. As the human head is often used as the base unit of measurement in figure drawing, the important landmarks and relationships between the brow region, eye sockets, cheek bones, nose, mouth and chin will be explored in great detail. After blocking in the head, the neck and shoulder area is discussed before moving down to the chest, stomach and pelvis regions. Again, key structural landmarks are discussed in order to understand the anatomical, structural, and proportional importance of each. Charles then moves on to discuss arms and legs, along with correct proportional guides for laying in key elements like elbows, wrists, knees and ankles. Once completed with the anatomical sketch from the front view, he moves onto the drawings from both the back and side views, providing a clear and comprehensive study of the base human form. Suitable for all artists developing their understanding of the figure and its complex anatomical relationships, this lecture and demonstration is an immersive and critical foundation.
In this lecture, the second title in a series on human anatomy as it relates to figurative art, figure painter and instructor Charles Hu expands on the structure and proportion principals discussed in his first lecture, translating them into a live figure drawing studio environment. Charles begins this lecture by discussing the principals of shading and light to describe three dimensional forms, as he will be demonstrating shading techniques later in the lecture. Here, Charles discusses topics like the difference between core shadow and cast shadow, direct light versus bounced light, and how to find the 'true' color or value of a form under complex lighting conditions. He then moves on to drawing the figure from a live model in a studio environment. He begins by laying in the figure, employing the principals covered in his first lecture, identifying the key structural landmarks on the live model, then demonstrating some new techniques to help maintain correct proportions under real world drawing conditions. He proceeds to do 'lay-ins' for the figure in a standing position from the front, a seated figure, and lastly the standing figure from the back to illustrate how to draw the same figure from various angles and different poses. The final phase is to shade and refine one of the drawings to take it to a more finished state. Charles begins by blocking in the cast shadows and then the core shadows on the figure, then refines the shading to include bounced light and highlights by pulling those areas back out with an eraser. The finishing stage involves adding more detail back into the shadows, and pulling out some final areas of bounce light. Suitable for all artists interested in developing their understanding of the figure, Charles Hu masterfully explores this complex subject while providing a clear and methodical workflow.
In this human anatomy tutorial series titled Skeletal Structure, Mechanics and Proportion, instructor Charles Hu will break down the human skeletal system in terms of how it relates to drawing a dynamic figure. Starting with basic proportion and structure, Charles breaks down the human skeleton into 9 primary structures: the head, shoulder, rib cage, spine, pelvis, arms, legs, hands and feet. He breaks down the primary landmarks and planes of each structure and identifies features on specific bones important to the mechanics and motion. Charles also discusses the skeletal mechanics of each structure to provide the mechanical understanding of the system in order to achieve more realistic and dynamic figure drawings.
In this human anatomy tutorial titled Anatomy of the Human Head, figure artist Charles Hu provides an anatomical breakdown of the human head. Beginning with general proportions, planes and structural landmarks, Charles then demonstrates how to apply these principles with a series of life drawing exercises. In these three exercises – from Front, Side and ? View, he shows how to approach t
查尔斯 ·始于人类从前面视图中窗体的初始"机械"表示。他首先讨论了基本比例和人的头部结构。因为人体头部经常用作图绘制、重要地标、眉地区、眼窝、脸颊骨头之间的关系测量方法的基本单位，鼻子、嘴巴和下巴将详细探讨。堵头后, 向下移动，胸部、腹部和骨盆区域之前讨论是颈部和肩部的地区。再次，瞭解的解剖学、结构和比例的重要性，每个讨论了结构的关键里程碑。查尔斯 ·然后移动到讨论的胳膊和腿，沿着与正确比例参考线敷设在关键的元素，如手肘、手腕、膝盖和脚踝。一旦完成解剖素描从前面视图中，他从后面和侧面的视图中，移动到图纸上提供基本的人类形体清楚和全面研究。适合所有艺术家发展图和其复杂的解剖关系的认识，这种讲座和示范是身临其境的和关键的基础。
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图艺术家查尔斯 ·胡本人体解剖学教程标题解剖人的脑袋，在人体头部解剖的细目。查尔斯开头的总比例、飞机和结构的地标，然后演示如何应用这些原则与一系列的写生练习。在上述三项工作— —从正面、侧面和?视图，他演示如何接近t