Adam Monroe Music Mark 73 Electric Piano v1.3 (KONTAKT VST AU AAX) [WiN OSX]-DEC

WiN: AAX 链接: https://pan.baidu.com/s/13oOZfqFW86N79jX61SaPDw 密码: gahh WiN: VST 链接: https://pan.baidu.com/s/1z7o-PVN_BkqccUUHIJXbtQ 密码: g8ac MacOSX: AAX 链接: https://pan.baidu.com/s/17GH3p_pyOin5mhDkUc_jVQ 密码: ftk6 MacOSX: AU 链接: https://pan.baidu.com/s/1J7RysFQY8xXyRiBEbKJ93Q 密码: cs7w MacOSX: VST 链接: https://pan.baidu.com/s/1VcBDFCdvXgv72B3jokyOSQ 密码: t5yr KONTAKT 链接: https://pan.baidu.com/s/1OONZpOYcMmGZ-H0n-BIq2g 密码: u4jk

Team DECiBEL | 04 Apr 2018 | 3.8GB each
KONTAKT | WiN: AAX VST | MacOSX: AAX AU VST
Adam Monroe's Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA R84 Ribbon Mic and AEA TRP Preamp.
Each note of the 73 note of the Rhodes Piano was sampled 3 times at 10 velocity layers. Releases where sampled for the DI signal as well as the amped signal, but the amp release notes sounded a bit out of place, so the decision was made to only include DI releases. The sound of the amp can be heard in the amp samples, as a Fender Reverb Deluxe is a noisy amp, even without a signal. The DI samples are relatively clean by comparison.
This particular Rhodes Piano was relatively in-tune, but some post-processing re-pitching was necessary in order to bring every note into a -2 +2 cent variance of equal temperament. The "bass boost" knob of the Rhodes Piano was set to 1 and the volume knob was set to 9. The instrument was left natural sounding, without eq tweaking, although one note was eq'd in order to make it fit with the rest.
The phase of the two signals had to be carefully adjusted by hand for each note, as the amp signal significantly lagged behind the DI signal. The settings on the amp were treble: 5 bass: 5. The amp signal has a slightly more agressive tone, well the DI signal is warmer and fuller. Samples are 16 bit, 44.1 kHz wav files.
FEATURES:
10 velocity layers, 3 note round-robin.
DI and amped samples.
73 key range from E1 to E7.
Built-in reverb and distortion.
Over 6,500 samples (including releases).
团队| 2018年04月| 3.8gb分贝每
接触|双赢：金：最代表性| MacOSX最代表性的VST乐器
亚当梦露马克什么73电钢琴采样从1976年Rhodes钢琴Mark I级。在整个键盘的工作包是什么tinfoil，除EMI噪声。二是通过一个钢琴采样径向每48底盒，和一个信号是routed Fender豪华混响放大器，通过记录的相对清洁r84丝带AEA和AEA TRP MIC前置放大器。
每个音符的音符的73电钢琴在什么时代的采样速3 10。在信号的采样版本的直接信号的功放的工作人员和发行说明，但从一位出位，所以决策是由只包括一底的版本。的声音，可以听到在在放大器AMP的样品，作为一个挡泥板豪华是一个嘈杂的混响室，甚至没有信号。二是在相对清洁的样品比较。
这是什么您有在Rhodes钢琴，但一些后处理是必要的，在重新时把每一个音符的阶方差2美分（平等的气质。“重低音”Rhodes钢琴什么的旋钮和旋钮设置为1设置为9卷什么的。什么是左自然探空仪器，没有一个音符是什么情商EQ的调整，虽然是为了使它适合的酒店休息。
两个阶段的信号是由手工精心调整每个音符，为放大器的信号和信号延迟背后的外国直接投资。酒店设置在低音和高音：是5∶5。安切洛蒂的AMP信号需要更多的积极的信号音，以及FDI与富勒是温暖的。样本是16位，44.1千赫WAV文件。
特点：
10速，3级循环。
FDI与功放的样品。
从E1和E7 73键范围。
内置混响和失真。
在6500个样本（包括发布）。