Cinesamples CineHarps KONTAKT

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Cinesamples CineHarps KONTAKT | 10.9 Gb
CineHarps is a collection of deeply sampled orchestral harps that's easy to use and is loaded with techniques and features that will make this a classic in any composer’s template. Recorded with wide variety of perspectives at the MGM Scoring Stage at Sony Pictures Studios in Los Angeles, CineHarps will fit nicely into any mix.
For the 10th anniversary of our landmark product CineHarps, Cinesamples is proud to present the completely re-imagined, deeply-sampled sequel - CineHarps. Recorded at the historic MGM Scoring Stage at Sony Pictures Studios in Los Angeles, CineHarps captures the ease of use and varied techniques of the original CineHarp while adding pristine audio fidelity and improved features that will make this a classic in any composer’s template.
Recorded in three distinct positions on the scoring stage, CineHarps includes multiple articulations and timbres - plucked patches, precise glissandi, and incredibly robust effects. Whether a composition calls for classical harp techniques or a hybrid sound design approach, CineHarps offers composers the richest harp sounds available. As with all CineSymphony libraries, CineHarps library does not require you to purchase any additional sample playback software, and is licensed to work with the Native Instrument’s free Kontakt Player. All you need is a sequencer like Logic, Cubase, Digital Performer, LIVE, Pro Tools, Cakewalk, or even Apple GarageBand and you’ll be up and running.
The Perspective Fader
CineHarps includes the addition of a new Perspective Mode. When Perspective Mode is turned on, a slider appears that performs a smooth crossfade between the Close, Room, and Surround microphone perspectives. This slider is automatically mapped to the mod wheel, giving you the ability to instantly control the relative depth of the instrument.
Gliss Mode
Gliss Mode transposes all of the white keys according to the selected notes and pedal diagram. This allows for easy playing of glissandi on the white keys. When the Gliss Mode button is active, note attacks in faster phrases are gently softened. The faster you play, the softer the attack.
Tip/Trick: Turning on Gliss Mode and leaving the pedals set to C major allows you to play chromatically, but still softens the onset of each note in faster phrases, which can result in more realistic trills, bisbigliandi and other types of playing.
Close Delay Button
Above the Close microphone perspective is small yellow button marked with a “D”. Activating this button delays the sound of the Close perspective by approximately 15ms, which time aligns the Close with the Room and Surround Perspectives, resulting in a tighter sound. Turning off the Close Delay gives the instrument more depth and definition, which can be useful for featuring it in the mix.
Velocity Curve
The Velocity Curve control can be used to dial in exactly the dynamic you are looking for. Bias Forte makes it easier to play louder dynamics, and Bias Piano makes it easier to play soft dynamics. Linear allows the velocities to pass through unaffected. The Velocity Curve control can also be used to compensate for a MIDI keyboard with an undesirably hard or soft action. You can custo-draw a velocity curve by clicking and dragging with the mouse.
Release Mode
The Release Mode knob changes the way releases are played. “Muted” simulates the harpist immediately dampening the string at the note release, and “Let Vib.” allows the string to ring out for its full duration ignoring any note releases. “Normale” provides a moderate decay to the release. This control along with the Release Volume control can be used to dial in the exact type of release behavior you are looking for.
Round Robin Borrowing
The RR Borrowing knob employes surrounding notes as additional round robins. A value of 6 results in up to +/- a tritone of borrowing providing up to an additional 12 round robins per note. A value of zero only plays two round robins per dynamic level. Higher values result in more round robins and more tonal variation.
Dynamic Range
The Dynamic Range knob can increase or decrease the overall dynamic range of the instrument. With the knob turned all the way up, low dynamics are almost completely inaudible and higher dynamics are very loud. With the knob turned all the way down the instrument plays all of the recorded dynamic layers, but at the same perceived volume.
cinesamples cineharps接触| GB 10.9
cineharps is a collection of deeply采样orchestral竖琴的这两个简单的使用和冰荷载与技术和特点，将使这一经典在任何composer的模板。记录和宽视角的品种（MGM评分阶段以索尼电影工作室在洛杉矶，cineharps nicely将安装到任何组合。
《anniversary 10我们的产品cineharps地标，cinesamples昂扬的两个指尖的冰完全重新imagined，deeply -采样- cineharps sequel。历史记录在米高梅评分阶段以索尼电影工作室在洛杉矶，cineharps captures的放松和varied技术学院使用的原cineharp随增pristine音频保真度和改进的功能，将使这一经典在任何composer的模板。
记录在三成不同的定位在评分cineharps多极化，包括发音和音色- plucked补丁，精确的滑音，incredibly效果和鲁棒性。不管A组成的沉积技术和经典的竖琴声的混合设计的方法，cineharps受害者的作曲家的可用richest竖琴的声音。作为与所有cinesymphony cineharps图书馆，图书馆，你不需要购买任何额外的样品和冰的播放软件许可证的工作与人接触的工具的自由球员。所有你需要的是一个逻辑定序器类、Cubase、数字演员，活着，Pro工具，容易的，或甚至苹果GarageBand和你将要起来，行走。
茶之父
cineharps包括“添加一个新的视角模式。当冰模式打开的角度来看，A的出现，performs一块光滑的淡入淡出之间的近，客房，环绕立体声麦克风和观察。这两个滑块自动mapped《冰与车轮，给你的instantly控制能力的相对深度的仪器。
该模式
该模式transposes所有白色的钥匙，根据选定的票据和踏板的图。这允许以轻松的运动（滑音在白色的钥匙。当该按钮的冰模式的主动攻击，注意的是gently softened phrases斋戒。这是你的游戏，《softer的攻击。
提示/技巧：该模式与转向在线上留下两个专业pedals C允许你播放色，但仍然softens each of the发作phrases注在禁食，这可以有结果的realistic颤音bisbigliandi大学和其他类型的运动。
延迟关闭按钮
以上的关闭麦克风之冰黄市场小按钮和一个“D”。这个按钮激活延迟声的闭市约15ms的角度来看，这与《aligns小时关闭房间和resulting环绕的观点，在一个tighter声。关闭关闭延迟转向提供更多的深度和仪器的定义，这可能是有用的，对它的featuring组合。
速度曲线
在速度曲线控制可以使用拨号的动态到底在找你。偏置复地使得它更容易吗？大声点动力学两个播放钢琴和偏差，使得它更容易吗？两个播放软动力学。允许的线性二次unaffected通风。在速度曲线也可以被用来控制来补偿一个MIDI键盘和undesirably硬或软的动作。你可以画一个客户的速度曲线和城市clicking dragging与老鼠。
释模式
《释时装节变化的方式是played稿。“muted”simulates立即dampening《竖琴的弦乐队和“注释，允许容易振动。”《弦的两个环的开口中的任何时间ignoring注全稿。“正常”提供一个温和的衰减的释放。这与“滚控释的音量控制可以使用拨号的精确类型的释放行为，你是很对的。
轮转的借贷
《借款employes RR节surrounding Notes作为额外的圆知更鸟。A 6的结果，在价值上的+ / -一个全音的借款银行提供的12个额外的IP圆知更鸟每注。一只价值剧目零动态双圆知更鸟每级。结果高值更多的圆知更鸟htonl和更多的变化。
动态范围
动态范围的节能增长或降低整体动态范围的仪器。与转向节上所有的方式，几乎完全是低动力inaudible和高等动力学是很大声。与转向节，所有的方式下的剧目《仪器记录动态全层，但以同样的音量感知。

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