标题: Film Convert Pro [打印本页] 作者: admin 时间: 2018-9-19 02:12 PM 标题: Film Convert Pro
FilmConvert Pro AVX v1.0.2 for AVIDFilmConvert Pro 1.04 OFX Win64FilmConvert Pro 2.06 plugin (After Effects & Premiere)FilmConvert Pro 2.07 AEFilmConvert Pro 2.09 Win64 (After Effects & Premiere)FilmConvert Pro 1.216 Stand alone macFilmConvert Pro 2.11 for AE Premiere Win64FilmConvert Pro 2.13 for AE & Premiere (Win) + All Camera PacksFilmConvert Pro AE v2.12 macFilmConvert Pro FinalCut Pro v1.36 macFilmConvert Pro Photoshop v1.05 macFilmConvert Pro v1.0.3 for Photoshop macFilmConvert Pro v1.36 for FinalCut Pro macFilmConvert Pro v1.205 - Stand-Alone macFilmConvert Pro v2.11 for AE - PP macFilmConvertPro v1.35 for SonyVegas win64FilmConvert Pro 1.50 OFX Plug-in Win64FilmConvert Pro V2.14 for AE & Premiere (Win) + All Camera PacksFilmConvertPro-AE-PP v2.15FilmConvert Pro 2.16 WIN64FilmConvert Pro 2.17 for After Effects & Premiere Pro Win64FilmConvert Pro Bundle 2015 MacOSXFilmConvert Pro v2.19 - AE, PP macFilmConvert Pro v2.31 for After Effects and Premiere Pro Win64Rubber Monkey FilmConvert Pro v2.30 CEFilmConvert Pro 2.32 for After Effects Win64Rubber Monkey FilmConvert Pro v2.34 CEFilmConvert Pro 2.3.6 Win [Ae + Pr]Rubber Monkey FilmConvert Pro v2.36 CE WinFilmConvert Pro Bundle 10.2016 MacFilmConvert Pro - 2.0.3 OFXFilmConvert Pro OFX 2.20 PatchedRubber Monkey FilmConvert Pro AEX v2.39 CE WinFilmConvert Pro After Effects & Premiere Pro 2.39a PatchedFilmConvert Pro 2.39a for Adobe Win x64FilmConvert Pro是一款将数字摄影机拍摄的素材色彩转换成胶片色彩的工具,可作为独立程序,也可以作为第三方插件, FilmConvert Pro提供了一个复杂的算法，转换数字画面成您最喜欢的电影胶片，包括负面密度，等......Ever since the introduction of Digital Cameras, digital evangelists have been saying how Film would eventually be superceeded and replaced. After several decades, this is finally happening. However, for many people, the look of the digital footage still leaves a lot to be desired and doesn't look as good straight out of the camera.
What is it about film that people like so much?
Some people say that film has a 'magical' and 'organic' quality that can never be achieved by a digital camera. We take a more scientific approach. For many years, the film workflow has been to have the film scanned and then graded digitally. Both formats end up as digital files, we can compare them and find out the specific differences.
Our tests have shown that film responds to colors in a different way. Let's look at an example - shot on Fuji Pro 160s, and the same image shot on a Canon 5D Mk II. Look specifically how the trees seem to 'pop' in the film image.
