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The hammered dulcimer is a stringed instrument with 31 string pairs stretched over a trapezoidal shaped sound box. Usually, the hammered dulcimer is set on a stand in front of the musician, who holds small wooden mallet hammers to strike the strings. The dulcimer has two bridges, a bass bridge near the right and a treble bridge on the left side. The bass bridge holds up bass strings, which are played to the left of the bridge. The treble strings can be played on either side of the treble bridge, playing them on the left side gives a note a fifth higher than playing them on the right of the bridge.
The strings of a hammered dulcimer are found in pairs, two strings for each note. Each set of strings is tuned in unison and is called a course. As with a piano, the purpose of using multiple strings per course is to make the instrument louder, although as the courses are rarely in perfect unison, a chorus effect usually results like a mandolin..
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We recorded the hammered dulcimer in two microphone positions. At the top of the instrument we placed - in a ms stereo set-up - a pair of Neumann U87s and at the bottom we put a single condenser. These two positions are covering a wide range of sound and you are free to mix them at your own requirements. We played the hammered dulcimer in minor thirds and concentrated mainly on three different articulations. Firstly we recorded the ?normal“ notes which means that we hit the strings with the typical small wooden mallets, we called this articulation ?Mallet“. Furthermore we struck the strings with a drum stick which we called ?Sticks“ and finally we recorded an articulation where we struck the strings with a timpani mallet and damped the strings with the palm of the hand which we named ?Muted“. All these articulation were recorded in 4 round robin variation and up to 4 velocity layer.
Beside this we cared most about producing the typical hammered dulcimer tremolo. Thus we equipped the instrument with two different ways to produce this roll alike tremolo. The first option to generate the tremolo will be achieved by duplicating each already played note when releasing the key. This lets you exactly control the velocity and tempo of the tremolo. The other and more easy way to produce the tremolo uses the modwheel. By turning the wheel you control the tremolo tempo from slow to fast. In order to avoid sounding too artificially we included a random factor which automatically affects the tempo and the velocity which results a very organic tremolo which lets you easy switch between single notes and tremolo rolls. Furthermore we added several functions and effects such as the control of reverb, delay, decay, distortion or octave which expands the entire sound of the hammered dulcimer and gives you a lot of options.
的扬琴是一种弦乐器、31弦对绷在一个梯形音箱。通常,在扬琴是设置在音乐家面前一站,握着小木槌槌击琴弦。扬琴有两座桥,桥附近的低音和高音桥左侧。低音桥上的低音弦,这是发挥到左边的桥梁。高音弦可以发挥的高音桥两边,打在左侧提供了一个注五分之一高于在桥的右边。
一个扬琴的弦是成对出现,为每一个音符两串。每一组字符串都是协调一致的,并且被称为一个过程。作为一个钢琴,使用多个字符串,每门课程的目的是使仪器更加响亮,虽然课程很少步调一致,合唱效果通常结果像曼陀林..
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我们在两个麦克风位置记录的扬琴。在我们把仪器顶在MS立体声设置一对诺伊曼u87s底部我们把单个冷凝器。这2个位置覆盖着一个很宽的声音,你可以自由地把它们混合在你自己的要求上。在小调我们演奏的扬琴,主要集中在三个不同的关节。首先,我们记录的?正常”这意味着我们与典型的小木槌击琴弦,我们称这种发音?槌”。此外我们敲弦鼓棒我们称之为?棍棒“最后我们记录发音,我们击中字符串与定音鼓槌和阻尼的字符串用手掌的手我们命名为?低调的“。所有这些关节都记录在4轮罗宾变异和4层速度。
除此之外我们最在乎产生典型的洋琴颤音。因此,我们配备的仪器,产生这种卷一样的颤音两种不同的方式。产生颤音将通过复制每个已经发挥当释放按键实现第一个选项。这可以让你完全控制的颤音的速度和节奏。产生颤音的其他更简单的方式使用modwheel。通过转动轮你控制从慢节奏快速的颤音。为了避免听起来太人为我们包括自动影响比赛的节奏和速度,结果一个非常有机的颤音让你单音符和颤音辊之间容易切换随机因子。此外,我们增加了一些功能和效果如混响,延迟,衰减控制,变形或倍频扩展了扬琴整个声音和给你很多选择。
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Cinematique Instruments Hammered Dulcimer KONTAKT
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  • 发布时间:2014-7-25 15:48
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