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DISCOVER | December/24Th/2018 | 7.44GB
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Using Superball friction mallets, we sampled a variety of Orchestral Bass Drums, Timpani, Taiko, Thunder Sheet and Gongs to create a library of evolving sonic textures. Working in close collaboration with virtuoso percussionist Joby Burgess and Emmy nominated recording engineer Nick Wollage, we have created a virtual instrument like no other.
Superball is a rare type of mallet with a rubber ball end, which is used by percussionists to create a unique waling drone-like sound. It is performed by dragging the rubber head of the mallet along a surface, creating friction, which produces a wave of unusual and unique sonic textures that vary depending on the size of the Superball, type of percussion and technique. Superball is a non-transient sound that open-endedly shapes and transforms as the motion, pressure and intensity of dragging of the mallet continues.
To capture Joby’s performance on these magnificent instruments, we chose the world famous British Grove Studios which was built by legendary Dire Straits front-man Mark Knopfler, located in the heart of London. We chose it for its lush sounding large live room, collection of vintage and modern microphones and the fantastic 96 channel Neve 88R desk running through the worlds best Prism Sound analogue to digital converters. This studio has been used to record such scores as Gravity, Mission Impossible: Rogue Nation, Macbeth and Stardust.
Finally, we have designed and built a dedicated powerful sampling engine with an intuitive interface, which allows the user to perform and shape the sound much further. It offers a variety of sound shaping tools, from one fader to move across all microphone setups called ‘Proximity’, to ability to morph between subtle and aggressive articulations, all the way to complete reshaping tools such as advanced ‘Gater’ with a programmable step sequencer and selection of effects. You don’t need to read the manual to use the instrument, but we highly recommend you do because we are certain you will learn some tricks that you wouldn’t know about otherwise.
发现|十二月24日| 7.44gb 2018号
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我们使用的采样覆盖超球摩擦，各种管弦乐低音鼓，timpani，太鼓，雷霆和锣板创建一个图书馆，不断变化的声波。在关闭工作协作与打击乐大师Joby伯吉斯和指定的录音工程师尼克wollage艾美，我们创建了一样，没有其他的虚拟仪器。
超球是一个罕见的类型是一个橡胶球槌的结局，这是用来创建一个行走在无人驾驶percussionists样的声音。它是由拖行的橡胶槌头沿着表面，创造摩擦，这不寻常的和独特的子帧的a波的声波，这是不同的大小取决于类型的打击乐器的超球，和技术。超球是一个非瞬态声音是开放endedly变换形状和作为压力和强度的运动，对拖的槌。
该公司的业绩在捕捉到完美的仪器进行，我们有世界著名的英国Grove工作室，它内置的前端是由传奇Dire Straits马克诺弗勒，坐落于伦敦的心脏。24小时免费接送，郁郁葱葱的测深的大型直播室，收集古董和现代的神奇microphones和Neve 88r台96通道运行通过从模拟到数字转换器的声音最好的棱镜。本工作室已被用于记录的搜索评分为重力，不可能完成的任务：流氓国家，麦克白和星尘。
最后，我们已经设计和建造一个专门的采样引擎强大的直观的界面，它允许用户将多个声音和形状的继续。它提供了一个整形工具的各种声音，一个麦克风安装在所有的移动称为“接近”，变身能力之间的微妙的和积极的方式去完成所有的articulations，先进的工具，如reshaping盖特’a步音序器和可编程的选择效果。你不需要阅读手册使用的工具，但我们强烈建议你做，因为我们是某些你想学习一些技巧，你不会知道这些。 |
