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KONTAKT - 1,39 GB
Orchestra Enigmatica is an instrument based on samples from vintage analog "orchestral" synthesizer, Siel Orchestra from 1979 (first version). There are some additional voices created with 1984 Sequential Circuits Six-Track.
The instrument has 16 voices, which can be processed individually by adding filters, effects and modulators and then combined to create new sounds. The samples are fairly detailed to preserve quirks of an ageing synthesizer. Sustained sounds have been looped by hand, without crossfading to preserve the original vibe.
IN DETAIL
Orchestra Enigmatica comes with multi-arp function, an advanced arpeggiator, which can populate up to eight arpeggio patterns simultaneously from a single chord. Arpeggios can play different voices, run at different rates and pattern notes can be transposed with optional snap to scale function.
Additionally each arpeggio has its own velocity and pitch sequence. Arpeggios can run in parallel or can be sequenced, as in "x steps of arp 1, y steps of arp 2".
Arpeggiator programs can be saved to a keyswitch and recalled while the sequencer is playing. Also there's keyboard split function, you you can play arpeggio with one hand and sustained notes with the other hand.
THE CONCEPT
Orchestra Enigmatica is vintage orchestral synthesizer instrument paying homage to early synthetic emulations of traditional acoustic instruments.
Those sounds mostly required a vivid imagination and a kind of positive enthusiastic approach to hear the similarities to emulated instruments.
However, as the time passed, they grew a charm of their own, becoming a different type of classical instrument.
While ‘Orchestra’ stands for a kind of historic exhibit, ‘Enigmatica’ hints a bit of experiment and innovation. The instrument features unique
multi-arpeggiator function. It can populate several arpeggio patterns from the same chord, which can run at different rates, different rhythms and
different algorithms. Arpeggios can run simultaneously and/or be mixed together creating complex note patterns from a simple chord.
MULTI-ARP
Multi-arpeggiator is a unique feature of Orchestra Enigmatica, while it may look enigmatic at first sight, it’s not really complicated. It just offers a lot of options. The basic idea is to make it possible to run several different arpeggios originating from a single chord.
There are 8 arpeggiators which can be stacked (play simultaneously) or queued (play a number of steps one after another). The instrument has keyboard split functionality, part of keyboard can be used to trigger arpeggios and at the same time you can play a melody using the other region of the keyboard. Arpeggiator region is colored green on virtual keyboard and non-arpeggiated region is colored blue.
Each arp has “OFF” option as a mode of operation. When all arps are off, the whole key range can be played normally. You can also turn the whole arpeggiator engine on/off without disabling arps one by one, using arp on/off switch.
Normally when you press a key in arp region only the arpeggio can be heard. However you can play both, arpeggio and sustained notes in the arp region, when you turn on “thru” switch. You can use the switch to turn sustained sounds on/and off while holding a chord.
PRESET BROWSER
There’s preset browser in “presets and options” panel, it contains numerous example presets and can be used to memorize multi-arp configuration, to use later in another project. The browser offers 300 memory slots which are being saved externally, so if you save a preset it will be available in any instance of the instrument.
Browser presets are stored in nka files in “presets” folder, which should be located in the same place as the instrument patch file (nki). If “presets” folder is missing, the browser won’t work. Browser presets are loaded from nka files. Unlike loading a keyswitch preset, presets stored externally do not load “instantly”, however the delay should not be noticeable in practice. Browser preset can also be loaded as the sequencer is running.
You can scroll the preset list using the scroll slider or scroll buttons, whichever way you find more convenient.
MIDI OUTPUT
Kontakt can output generated notes to MIDI, so any script sequencer can be used to control another VST or hardware instrument. If you would like to use it, make sure to enable generating MIDI messages. Open Kontakt’s “options” and look under engine tab, “send MIDI to outside world”, “script generated notes” should be selected in drop-down menu. Also disable “diverge” function in multi-arp “options” panel, it will change actual note numbers randomly, so the output MIDI sequence will be random.
Kontakt MIDI output is single channel. If you want to export multi-arp patterns having different arps in separate channels or configuring VST MIDI output is troublesome in your DAW, you can use included MIDI recorder. Recorder is using Kontakt’s functionality to export midi clips by drag’n’drop. It records instrument performance internally, then you can drag’n’drop the recording directly to DAW, or to midi file.
GB的接触1.39
乐团enigmatica是基于样本的仪器和模拟合成器，老式的“管弦乐团”（第一喷从1979年版）。有一些额外的声音与1984年创建的时序电路6轨道。
仪器有16个单独的声音，可以通过增加的处理和过滤，然后从联合创建新的声音。的样本是相当详细的怪癖，在衰老的to preserve合成器。looped IOPS的声音已经在手，没有交叉淡入淡出to preserve原始的感觉。
详细介绍
是多个乐团enigmatica ARP功能，先进的琶音器，它可以填充到它从一个单一的8和弦琶音模式。琶音播放声音可以运行在不同的模式，不同的委员会和一个可选的transposed Notes可以卡到尺度的功能。
此外每个琶音的速度和有自己的音调序列。琶音运行在并行或CAN CAN是sequenced在X，Y的步骤步骤（1）ARP，ARP 2”。
一个琶音器程序，可以保存和回忆按键开关是在音序器播放。所以它的分裂功能的键盘，你可以玩一个琶音一手手与其他笔记和眼压。
的概念
enigmatica管弦乐团是一个老式合成器合成仿真工具对早期有声学院的传统仪器。
那些不需要的声音和生动的想象力，一个孩子一个积极的方法有相似之处。长的仿真波形。
然而，作为传递的时间，他们就一自己的魅力，成为一个不同类型的仪器。
当一个孩子的国家交响乐团的历史文化学院“，”中国enigmatica位的实验和创新。独特的仪器的特点
多功能的琶音。它可以填充几个和弦琶音模式从相同的运行在不同的局，它可以与不同的字母，
不同的算法。琶音运行特定的CAN和/或混合在一起创造复杂的模式从一个简单的和弦音。
多的ARP
一个独特的特征是多的琶音enigmatica学院乐团，而它可能看起来首先询问的视线，它不是真的很复杂。它只是提供了很多选项。基本的想法是使它可能运行几个不同的琶音和弦从一个单一的翻译。
有8 arpeggiators可以堆叠（Play（播放排队同时）或作为一个步骤后）。键盘仪器有一部分分裂键盘的功能，可以用来触发琶音和在同一时间，你可以使用其他地区的即插即用的a旋律的键盘。一个琶音器色绿色虚拟键盘区和非地区有色arpeggiated是蓝色的。
每个ARP安切洛蒂“关闭”选项作为一种模式的操作。当所有的开关模式是关键，整个范围都可以玩。所以，你可以把整个的琶音器引擎没有一disabling ON/OFF由一个递减，使用ARP ON/OFF开关。
通常当你的关键区域在ARP出版社《琶音只可以听到。然而，你可以玩两个琶音和眼压，Notes在ARP的区域，当你打开开关的“通”。你可以使用开关把声音开/关在IOPS和控股一弦。
预设浏览器
它在“预置和预置浏览器选项”面板，它包含许多例子，乐观，意志力可以预置多用于ARP配置，使用后在另一个项目。浏览器内存插槽提供了300个被A我喜欢去，所以如果你想保存预设的信息可用，在任何可能的手段。
浏览器的预设文件是存储在NKA在“预置”文件夹，它应该位于同一广场作为补丁文件（NKI）的工具。如果“预置”文件夹是缺失的，浏览器不会工作。浏览器加载预置文件是从NKA。不同于加载预置预置存储按键开关A，“我喜欢去不负载着”，然而在实践中，应该不noticeable延迟。浏览器可以加载预置为音序器是运行。
你可以滚动的滚动滑块或使用预设的列表滚动按钮时你找到更多的方便。
MIDI输出
生成的MIDI Notes的CAN输出接触，因此任何脚本音序器可以用来控制一个VST工具或硬件。如果你想使用它，要使生成的MIDI消息组成。开放的接触和外观“选项”选项卡，在“发送到引擎的MIDI，外面的世界”，“脚本生成票据”应选择在下拉菜单。因此，禁用”功能在多diverge“ARP”选项”面板，它会随机变化的实际注号码，所以输出的MIDI序列是随机的。
是单通道的MIDI输出接触。如果你想有多个出口模式ARPS中ARP或MIDI输出通道配置单独的VST是麻烦的，你可以使用你的环境，包括MIDI录音机。录音机使用的是接触 |
